this work attempts to answer and at the same time raise questions around the resonance capacity of materials and objects - how do we perceive the things that we are surrounded by? what role plays the gap between nature and culture in the disappearance of liveliness, that we experience in the encounters with things around us? how can a moment of attention be created to make these encounters possible?

in this work, the stone is seen as an object that is capable of action - it is given space, without changing the initial stone.

the beauty of normal stone is to be emphasized and made visible, encouraging us to see and ‘feel’ stone as time witnesses.

it being the material of our earliest tools and dwellings - as a fixation of movement, as a living and resonant material.